“شيخات وشيوخ العيطة”.. فيلم وثائقي حول أنماط وتراث فن “العيطة” | Manifestações Artísticas | خات وشيوخ العيطة”.. فيلم وثائقي حول أنماط وتراث فن “العيطة” | JORNAL PACIFISTA 

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Manifestações Artísticas / 05/03/2018

خات وشيوخ العيطة”.. فيلم وثائقي حول أنماط وتراث فن “العيطة”

“شيخات وشيوخ العيطة”.. فيلم وثائقي حول أنماط وتراث فن “العيطة”

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خات وشيوخ العيطة”.. فيلم وثائقي حول أنماط وتراث فن “العيطة”


It took place on Tuesday evening in Casablanca to provide the documentary "elders and the elders of Aita", which highlights the different art styles Aita, accompanied by Bektaban in Arabic and French contain a large collection of images about this art.

This tape has been requested, which was completed under the supervision of the President of the Atlas Society Ookayev Ibrahim Alemsend, mobilizing more than 250 artists, and thirty musicians belonging to different regions of the country, including the children of Ben Ekadh, and Khadija Margon, a group Albuazawa, and Khadija ellipses, born pots.

This highlights the tape, which was adopted on the gift of seventy recording studio, an important aspect of rural living arts that rely on the voice of the feminist element, which is the movement of lovers of this art to the various regions of the country.

It also highlights the melodies and songs for each type of Aita species, which depend on the rhythms of a group of machines, including Abannder, lute, and Wattar, in tune with the sounds of the elders and the elders.

This included the tape, which was recorded and filmed a period of three years, a group of pictures taken during the various periods of recordings, as well as the texts printed this art, which combines various forms of Aita them, Alhsbawih, and Almrsawih, and Azaarah, and Afilalah (municipal), and mountainous, and Heazemih, and Alihuzah.

He said Alemsend, in Sahafe statement, "The elders and the elders of Aita" bar stems the idea of ​​valuing art Aita, and promotion, while maintaining an important part of the Moroccan musical heritage, through him the place it deserves.

He added that this tape is a contribution to the rehabilitation of the art of Aita as an art capable of loss, pointing out that this art moves one era to another by recording and save the joys, struggles, and developments, and the interactions that formed static life over time.

It should be noted that this tape was awarded the "Ku de Kwor" Academy Charles Crow in France, before it officially comes out of existence.

The tape will be displayed in Paris on March 8, in the Arab World Institute, followed by a concert and activated by Khadija Khadija ellipses Margon.


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